The Art of Cultural Celebrations

Published in Asian Fortune (www.asianfortune.com) February, 2012 edition.

At a Lunar New Year celebration event a couple of years ago, a local elected
official asked me if the movie clip on the big screen was showing the red
guards, a symbol of destruction and terror during the Cultural Revolution in
China. All she could see were images of young people carrying guns marching
since the Chinese language subtitle meant nothing to her. I assured her that
those were not red guards and that showing the old movie was simply an
expression of nostalgia, a way of having a good time during the Lunar New Year
because many people like me grew up listening to the movie’s popular theme song.
In spite of my explanation, she was not quite convinced that it was appropriate
for a public celebration. That experience speaks to the complex and fluid nature
of cultural heritage. Like many of my peers, I grew up during a politically
tumultuous era (60’s and 70’s) in China. The cultural heritage we are familiar
with are not the lion or dragon dances, which ironically I had never seen until
coming to this country, but rather songs and movies that inevitably reflect the
life and politics of that time. We resonate with them in spite of their often
ridiculous and laughable lyrics or meaning because they are part of our shared
history and identity. It is no different from a generation of Americans who will
always identify with the Woodstock culture no matter how they think about that
today.

However, as our cultural celebrations become increasingly public events, what
we celebrate and how we celebrate can be a real challenge. For community leaders
and event organizers, the art is in balancing between meeting the expectations
of our own community members and introducing the larger community to the essence
of our heritage that we consider worthy of preserving and promoting.

After attending hundreds of community events hosted by mostly immigrant
communities in the past few years, I have some observations and tips that can be
helpful to those who have to make such delicate decisions. After all, public
events should enhance, not diminish, your public image as a leader, organization
and community. These cultural matters can be broadly applied to many communities
that are mostly foreign-born and relatively new to this country or region.

First off, I am often struck by the lack of English-language program copies
at many community-based events, especially cultural performances. Having the
programs and event signs in English is not only a basic courtesy but would also
alleviate potential misinterpretation and make the events much more meaningful
to all attendees, including those from our own ethnic communities who are native
English speakers.

The singing of the national anthem and the pledge of allegiance can be
awkward moments for many in our communities who only sing to their home
countries’ national anthems while standing silent at the tune of the American
anthem. Whatever the reason, singing only to another country’s national anthem
reinforces our community’s “foreigner” image when these events should instead
enhance community relations and social integration. For organizers, it would be
wise to print the lyrics or text in the programs.

Finally, it is a very common occurrence that the event hosts cannot properly
pronounce the names of the special guests they want to recognize, such as some
elected officials they invited. A little preparation goes a long way. In
addition, all special guests should be treated with equal respect, whether they
are diplomats from embassies representing an entire country or local elected
officials representing a local jurisdiction. As the event host, you are the
diplomat-in- chief to make sure everyone feels welcomed and respected.

Events are made of a million details and a successful cultural celebration is
as much defined by the lack of glitches and gaffes as by memorable moments for
the right reasons. The added cultural dimensions certainly complicate matters.
But as what used to be considered purely “ethnic” holidays like Lunar New Year,
which is shared by the Chinese, Korean and Vietnamese, become increasingly
mainstream, so should our practice of celebrating them.

As we begin the Year of the Dragon, the most auspicious symbol that is sure
to bring us many reasons for celebration, let us celebrate in great style and
with added awareness.

 

2 thoughts on “The Art of Cultural Celebrations

    • Thank you for leaving a comment, Mr. Gurung. I remember that celebration very well and really enjoyed the experience. Great to hear from you again.

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